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It has X-Wide Angle, XR Motion Clarity and 3D Audio Upscaling thanks to the Cognitive XR Processor, but will only have X-Anti-Reflection on the two larger models.
With it, the XJ has the same XR 4K Upscaling as the other TVs, the same XR Triluminos Pro tech to enhance colors and 3D Surround Upscaling. The main change comes in the form of its Cognitive XR processor, which Sony claims is bringing a huge upgrade in capability to its TV range.
Can Sony one-up the X1 Ultimate processor that's been driving its premium TVs for the past few years? On top of the new processor, each model of the Sony line-up will use the new Google TV smart platform instead of the older Android TV software.
Baked in support for Google Assistant is a given, though you can also connect your TV to smart speakers like the Amazon Echo which uses Alexa too.
VRR variable refresh rate and ALLM auto low latency mode features are supported for gamers, helping to ensure responsive play and a smooth picture, while eARC enhanced audio return channel allows for lossless audio passthrough from the TV to a connected soundbar.
While that last bit makes the Sony series perfect partners for a Sony-made Dolby Atmos soundbar, the company is making some major changes to the built-in audio of its TVs that will make them sound a lot better out of the box.
The highlight of these features is called XR Surround that can take a two-channel or 5. The impact of this will, we expect, vary between the audio capabilities of individual sets.
This year's OLED also gets Sony's X-Motion Clarity technology for the first time, which should help smooth out fast-moving scenes.
It's now on sale , too. Sony A9G 4K OLED new inch size : Hold on, isn't this a model? No matter which you choose, you should expect to see similar performance in the inch variant compared to our inch test model.
Sony is sticking to its minimalist aesthetic for the A8H with a sleek-yet-boxy design that pairs a slim OLED panel with a center-seated, squared-off compartment for the TV's internal components.
The outcome is very attractive, and the metallic chassis framing the set only adds to the allure. A discrete Sony logo sits on the external bottom bezel of the 57 x 33 x 2-inch set, while the in-panel bezels are about one inch thick.
Unlike the flat stand of the A9G, the Sony Bravia A8H sports a pair of adjustable, cable-concealing feet that let it sit near-flush to a table or lift up a few inches.
The port array is located behind the left side of the panel, with a headphone output, composite video input, 2 USB Type A ports and 1 HDMI port facing out for easy access.
For those who want a Sony TV with HDMI 2. Both support the newer HDMI 2. For anecdotal testing we spent the most time viewing in standard picture mode as it seemed to offer the most accurate color, although the TV also offers an Auto picture mode that automatically selects a setting based on the content.
Many sets struggle when challenged with such speedy transitions, especially while maintaining cinematic contrast. Similarly, as Rey took off on her Jedi-approved obstacle course, she appeared to glide through the Ajan Kloss jungle without sacrificing the drapery details of her caped getup.
But not all material comes in 4K like the Star Wars disc we used for testing, so we swapped it out for the standard Blu-ray one to see how it upscales regular HD content.
We switched over to Planet Earth for the remainder of performance testing, vindicating the set of common concerns like banding and discoloration when viewing off-center.
The cloudless sky of the Antarctic maintained a seamless ombre, while the brightness of the blue-tinted icecap held up from several viewing angles.
The A8H looked great in anecdotal testing, but sometimes TV manufacturers calibrate their displays in a way that makes the picture less true-to-life.
It takes a relatively gentle approach, which stops its color and light expansion from becoming too far removed from the SDR source material. It also works on an object-based basis, rather than applying a single set of rules to the entire image, which again helps it achieve a more natural look than most SDR to HDR converters.
In fact, we have yet to see such excellent control, refinement and black level depth and consistency from any other OLED TV - or any other TV period, actually.
The Sony 65A8 also excels with the wide color gamuts associated with HDR images. But the positives clearly outweigh this small negative.
The sharpness and detail of native 4K images is otherwise fantastic. Classic fine details such as skin pores, woodland leaves, distant brickwork and lichen-covered, crag-filled mountains are all impeccably rendered.
Instead it inserts partial black frames over only portions of the image, while boosting the image areas that remain.
This produces the natural 24p feeling long associated with BFI technology without causing the customary heavy brightness reduction side effect.
The LG OLED65CX, by comparison, achieves more than nits in its Vivid mode, and more than nits in its Cinema Home and Standard modes. However, the 65A8 provides a couple of new features which ensure that unlike some its earliest OLED efforts, its HDR pictures still actually look punchy.
This needs to be handled with care, and actually works best with non-movie content. But the way it enriches and extends light levels in both light and dark directions is typically spectacular.
The 65A8 has been formally approved by IMAX as being capable of unlocking the full potential of the IMAX Enhanced picture mastering system now available on a few 4K Blu-rays and video streams from FandangoNOW in the US and Rakuten in Europe.
With this in mind, it might have been nice to see Sony also embracing the new Filmmaker Mode and Dolby Vision IQ picture presets being adopted this year by many of its TV rivals.
The sound tracks the onscreen action almost uncannily well, too, so that if a car moves from one side of the screen to another, for instance, you actually hear the sound move across the screen with the car.